July 30, 2010

Sweet Smell of Success - 1957

The 'Sweet Smell of Success, Burt Lancaster, Tony Curtis, 1957


The 'Sweet Smell of Success, Burt Lancaster, Tony Curtis, 1957 Giclee Print
9 in. x 12 in.

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A caustic, dark film noir based on the short story by Ernest Lehman titled Tell Me About It Tomorrow, and filmed on location in NYC. MacKendrick's debut American film. Opportunistic, vicious, hustling, slimy press agent Sidney Falco (Curtis) provides publicity for showbiz clients, hoping for exposure in the syndicated columns. Ruthless, sadistic, monstrously-manipulative newspaper columnist J. J. Hunsecker (Lancaster) unscrupulously plots with Falco to disrupt and destroy the romantic relationship of his younger sister Susan Hunsecker (Harrison) with a jazz musician Steve Dallas (Milner). Unethical and immoral but desperate to please Hunsecker, Falco smears Dallas as a drug addict and Communist by planting evidence, but causes Susan to become suicidal. Ultimately vengeful, she walks out on her 'incestuous' and obsessed, overprotective brother, while a raging Hunsecker has Falco beaten up.

Strangers on a Train - 1951

Strangers ona Train


Strangers on a Train Masterprint
12 in. x 16 in.

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Another of Hitchcock's great suspense thrillers - co-scripted by Raymond Chandler and based on the novel by Patricia Highsmith. During a 'chance' meeting on a train enroute from Washington DC (a cleverly-choreographed sequence in which the two sets of the strangers' shoes are highlighted), rich psychopathic playboy Bruno Anthony (Walker) explains his macabre, morbid theory of the perfect murder - an exchange or swap of murders and victims - to professional champion tennis player Guy Haines (Granger).

Bruno diabolically proposes murdering Guy's clinging, stifling wife Miriam (Elliot) - since Guy wants to marry US Senator's daughter Anne Morton (Roman) - in exchange for Guy murdering Bruno's spiteful father (Hale) and his acquisition of an inheritance, without any trace of clues. Haines dismisses the preposterous idea until Anthony kills his wife Miriam by strangulation at an amusement park and he is expected to fulfill his part of the bargain - with threat of blackmail. With a few great set pieces, including the tennis match, the cross-cutting sewer grating scene, the cocktail party scene of how to commit a murder, and the out-of-control merry-go-round in the finale in which Guy was finally cleared of the murder.

Splendor in the Grass - 1961

Splendor in the Grass


Splendor in the Grass Framed Art Print
16 in. x 22 in.

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A tragic, coming-of-age melodrama set in the mid-1920s in a small, rural Kansas town, from playwright William Inge's original, award-winning script. Star-crossed, teenaged sweethearts, poor HS senior Wilma Dean "Deanie" Loomis (Wood) and rich Bud Stamper (Beatty in his film debut) fall deeply and passionately in love, but are repressed by the sexual mores of the time, their class differences, and disapproval from their parents - especially her prudish, puritanical mother (Christie) and his rigid, domineering father (Hingle).

Deanie's pent-up sexual longings cause her to almost go insane in a memorable bathtub scene. Repercussions cause Bud to chase after slutty girl Juanita Howard (Norris), and eventually marry Italian Angelina (Lampert), while Deanie is institutionalized following a suicidal nervous breakdown. Years later, the two meet again and she resolves her feelings about him.

The Sound of Music - 1965

Sound of Music, Julie Andrews, Christopher Plummer, 1965


Sound of Music, Julie Andrews, Christopher Plummer, 1965 Giclee Print
12 in. x 9 in.

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Based on the Rodgers and Hammerstein stage musical and the true story of the von Trapp family - a lovely film with a mixture of comedy, romance, and suspense - and a wonderful collection of musical tunes. Restless novice postulant Maria at the Nonnberg Abbey in Salzburg, Austria, first pictured daydreaming on the hillside surrounded by the beautiful Alps, is persuaded by the Reverend Mother (Wood) to take a governess position for the motherless, singing family of stern widower Captain von Trapp (Plummer), who is engaged to Baroness SchrÖder (Parker).

The seven children include: 16 year-old Liesl (Charmain Carr), 14 year-old Friedrich (Nicholas Hammond), 13 year-old Louisa (Heather Menzies), 11 year-old Kurt (Duane Chase), 10 year-old Brigitta (Angela Cartwright), almost 7 year-old Marta (Debbie Turner), and 5 year-old Gretl (Kym Karath). The children have a well-deserved reputation for scaring off caretakers, but Maria wins them over, and falls in love with her employer, amidst the ominous Nazi occupation. Includes the songs: "Maria," "The Sound of Music," "My Favorite Things," "You Are Sixteen, Going On Seventeen," "Climb Ev'ry Mountain," "Do-Re-Mi," and "Edelweiss."

The Silence of the Lambs - 1991

Silence Of The Lambs


Silence Of The Lambs Wall Mural
48 in. x 72 in.

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Ted Tally's screenplay was based on Thomas Harris' 1988 best-selling novel of the same name (an earlier thriller, Michael Mann's Manhunter (1986), was based on another Harris novel - titled Red Dragon). A genuinely-frightening, violent, psychological thriller about the intimate exchanges between a deranged, hypnotic serial killer and a raw, vulnerable FBI trainee.

Novice agent Clarice Starling (Foster) is sent by senior agent Jack Crawford (Glenn) to conduct an interview with an insane, psychiatrist Dr. Hannibal "the Cannibal" Lecter (Hopkins), housed in a claustrophobic, underground prison cell. In exchange for her haunting, deepest secrets and memories about her childhood and the slaughter of lambs, she is supplied with clues about the identity and methods of another serial killer Jame Gumb, dubbed Buffalo Bill (Levine), who skins his victims and is currently holding victim Catherine Martin (Smith) - the daughter of a US Senator.

She Done Him Wrong - 1933

She Done Him Wrong


She Done Him Wrong Framed Art Print
16 in. x 22 in.

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Liberated Mae West's first starring film based on her infamous 1928 Broadway stage play Diamond Lil. She stars as buxom, bawdy, double-entrendre-spouting Lady Lou, a diamond-jeweled saloon chanteuse, the 'sweetheart' of owner Gus Jordan (Beery) in the Naughty Gay '90s Bowery region. Handsome Captain Cummings/"Hawk" (Grant), a detective poses as a Salvation Army missionary crusader while investigating a corrupt, white slavery and counterfeiting ring in the saloon. Includes West's singing of "Frankie and Johnny," "I Wonder Where My Easy Rider's Gone," and "I Like a Man What Takes His Time," and her most famous line of dialogue: "Why don't you come up sometime 'n see me? I'm home every evening."

Rosemary's Baby - 1968

Roman Polanski's first American film, from Ira Levin's best-seller - a convincing, creepy, psychological, Satanist horror/thriller about a young pregnant wife who suspects and has strange premonitions about diabolical forces (a witches' coven) threatening her unborn baby. Young newlywed couple Rosemary (Mia Farrow) and aspiring, out-of-work actor/husband Guy Woodhouse (Cassavetes) move into a gothic NYC apartment complex, with intrusive, elderly next-door neighbors Roman (Blackmer) and nosy Minnie Castevet (Gordon). With a fertile imagination, Rosemary gradually believes that she hasn't been impregnated by her husband but by the Devil.

Starring: Mia Farrow, John Cassavetes, Ruth Gordon, Sidney Blackmer
Director: Roman Polanski

Romeo and Juliet - 1968

The classic and immortal Shakespearean tale of forbidden, tragic, and star-crossed love. Adapted in this modern and realistic version by Zefferelli for the first time with two teenaged leads as the youthful, innocent, strong-willed lovers Romeo (Leonard Whiting) and Juliet (Olivia Hussey). Their warring families, the bitterly-hateful Montagues and Capulets, doom their tender romance, with a first-time-ever scene of the nude couple on their wedding night. In gorgeous Technicolor, shot on location in Italy and enhanced by a memorable soundtrack from Nino Rota. Academy Award nominations: 4, including Best Picture, Best Director. Academy Awards: 2, Best Cinematography, Best Costume Design.

Starring: Olivia Hussey, Leonard Whiting, Milo O'Shea, Michael York, Paul Hardwicke, John McEnery, Pat Heywood, Laurence Olivier (narrator)
Director: Franco Zefferelli

Indiana Jones: Raiders of the Lost Ark - 1981

Indiana Jones


Indiana Jones Poster Set
27 in. x 40 in.

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Spielberg's thrilling, entertaining homage to 1930's cliff-hanging adventure serials/films at Saturday matinees. One of the greatest action films ever made - led to a trilogy. Mid-1930s, pre-WWII comic-bookish, globe-trotting, bull-whip toting adventurer/archaeologist Dr. Indiana Jones (Ford) searches for rare antiquities. The film's opening sequence is a white-knuckled experience in a South American rainforest and cave with poisonous darts and a threatening boulder. In a race with the Nazis, dashing Dr. Jones is enlisted to locate the Biblical Ark of the Covenant before the evil agents of Hitler use its powers to win the war. From Nepal to Cairo, the self-effacing hero is aided by tough, hard-drinking, spunky and feisty ex-girlfriend Marion Ravenwood (Allen), as he escapes one life-threatening situation, fight, scrape, and chase after another - especially venomous snakes and the mysterious wrath of God in its finale.

July 27, 2010

Queen Christina - 1933

Actress, Greta Garbo, in the Movie "Queen Christina"


Actress, Greta Garbo, in the Movie "Queen Christina" Premium Photographic Print
Grant, Allan
24 in. x 18 in.

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A screen biography of the legendary 17th century Queen of Sweden Christina (Garbo), from the directorial master Mamoulian. After rejecting an arranged marriage for political advantage, the Queen fatefully meets newly-appointed Spanish ambassador Don Antonio De la Prada (Gilbert) during a horseback ride. To be incognito, she disguises herself as a man and visits with him in a snowbound country inn. During a night in his shared room in a gorgeously photographed sequence, she reveals her disguise and the two become passionate, clandestine lovers. Later, she officially receives him in her court, and in a shocking move, she relinquishes and abdicates herself from the throne for her love. Concludes with the famous closeup of Garbo's face at the bow of the boat as she faces her destiny.

The Public Enemy - 1931

Public Enemy, The


The Public Enemy Framed Art Print
16 in. x 22 in.

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A definitive, brutal gangster film from the early 1930s with James Cagney's effective portrayal of the rise and fall of a prohibition-era criminal. Two young punks who grew up on the South Side of Chicago - Tom Powers (Cagney) and Matt Doyle (Woods) - move from petty crimes to armed robbery and bootlegging. They lead violent and lethal lives, slap their blonde girlfriends around, and retaliate against rival hoodlums. (The film is most notable for its scene in which Tom pushes his breakfast grapefruit into the face of his moll girlfriend Kitty (Clarke).) They become associates of mobster Nails Nathan (Fenton), self-destructively engage in gang warfares, and Tom takes a new girlfriend Gwen Allen (Harlow). The final image of the delivery of Tom's 'mummified' bullet-ridden body at his estranged family's door is bone-chilling.

The Postman Always Rings Twice - 1946

Lana Turner, 1952


Lana Turner, 1952 Photographic Print
18 in. x 24 in.

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An adaptation of James M. Cain's torrid crime melodrama - one of the best film noirs. Handsome drifter Frank Chambers (Garfield) is hired at the California roadside Twin Oaks diner/restaurant as a handyman by kindly, middle-aged proprietor Nick Smith (Kellaway) after one look at his sizzling, lustfully hot (and unhappy), platinum-blonde waitress wife Cora (Turner). The slow-burning fuse of sexual passion between Frank and Cora leads to their plot to 'accidentally' kill her husband. After the murderous couple's plot is executed following a failed first attempt, they betray each other and are undone by their own uncontrollable, calculating natures, even as Cora admits before her death in an automobile crash: "When we get home, Frank, then there'll be kisses, kisses with dreams in them. Kisses that come from life, not death."

Platoon - 1986

Platoon


Platoon Giclee Print
24 in. x 36 in.

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A harrowing, visceral, realistic, visually-shattering Vietnam-war film, based on the writer/director's own first-hand knowledge as a Vietnam combat soldier. Young, naive, 19 year-old enlisted infantry soldier Chris (Sheen) serves in Vietnam in a fragmented, schizoid, rifle platoon/troop under two radically-different, veteran officers: pot-smoking, compassionate Sgt. Elias (Dafoe) and boozing, fierce Sgt. Barnes (Berenger). In the violence of combat, the two 'good' and 'bad' sergeants clash, forcing Chris to examine his own loyalty and perspective toward violence. The first film in Vietnam veteran Oliver Stone's Vietnam trilogy, followed by Born of the Fourth of July (1989) and Heaven and Earth (1993).

A Place in the Sun - 1951

Place in the Sun, Elizabeth Taylor, Montgomery Clift, 1951


Place in the Sun, Elizabeth Taylor, Montgomery Clift, 1951 Photographic Print
18 in. x 24 in.

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An adaptation of Theodore Dreiser's novel An American Tragedy - a star-crossed melodramatic romance. Low-born, ambitious George Eastman (Clift) hitches a ride to his distant uncle's place, where he is given an assembly-line bathing-suit factory job. The poor boy is entranced and infatuated by the snobbish, beautiful, well-bred rich girl Angela Vickers (Taylor) and they fall in starry-eyed love, but he also dates and impregnates poor, lower-class co-worker Alice Tripp (Winters). On Labor Day weekend at the Vickers' lakeside home, during a rowboat ride with Alice on a lake, George contemplates and wills (if not actually commits) the murder of his fiancee when she accidentally falls in and drowns - he falls from his 'place in the sun' when convicted and executed. Academy Award Nominations: 9, including Best Picture, Best Actor--Montgomery Clift, Best Actress--Shelley Winters.

Pinocchio - 1940

Pinocchio and Jiminy - Friendly Fun


Pinocchio and Jiminy - Friendly Fun Framed Art Print
12.5 in. x 15.5 in.

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The second full-length animated feature classic from Walt Disney Studios - about a wooden puppet who yearns to be a real boy. Based on a story written by Carlo Collodi in the 1800's. Beautifully drawn with technically-superior animation and memorable characterizations - Geppetto the kindly woodcarver, Figaro the cat, Cleo the goldfish, Stromboli the puppeteer, Monstro the whale, the Blue Fairy, Lampwick - and obviously Jiminy Cricket and Pinocchio. The carver's creation - a puppet boy, is turned into a flesh-and-blood boy, with the stipulation that he must be brave, unselfish, and learn right from wrong in order to earn real life. The boy is accompanied by his conscience, Jiminy Cricket for his adventures. Pinocchio is tempted by a conniving fox J. Worthington Foulfellow, exploited by a puppet master Stromboli, and sent to Pleasure Island (where naughty boys are turned into donkeys) for truly terrifying experiences and a daring rescue from the belly of a monstrous whale. Includes Jiminy Cricket singing the future Disney theme song "When You Wish Upon a Star."

Now, Voyager - 1942

Now, Voyager


Now, Voyager Framed Art Print
16 in. x 22 in.

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From the novel by Olive Higgins Prouty and enhanced by Max Steiner's score. A classic soap-operaish, melodramatic tearjerker from Hollywood's Golden Era. Repressed, middle-aged, frumpy, 'ugly duckling' spinster Charlotte Vale (Davis), from a wealthy Boston family, is controlled by her domineering, unloving mother (Cooper). During counseling at a sanitarium with a kindly, esteemed psychotherapist Dr. Jaquith (Rains), the frightened, frustrated, introverted woman is restored and transformed into a chic, more attractive, self-confident person. During a suggested South American cruise, she meets a handsome, suave unhappily-married architect Jerry Durrance (Henreid) and finds love through a bittersweet shipboard affair and a befriending of his shy and troubled, withdrawn daughter Tina (Wilson). Concludes with the famous line: "Oh, Jerry, don't let's ask for the moon. We have the stars" as the two share a cigarette smoke.

My Fair Lady - 1964

My Fair Lady


My Fair Lady Framed Art Print
16 in. x 22 in.

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One of the best and most popular musicals of all-time, from Lerner and Loewe - based on George Bernard Shaw's 1913 play Pygmalion. Arrogant, fastidious, linguistics Professor Henry Higgins (Harrison repeating his Tony Award-winning performance on Broadway) wagers fellow linguist Colonel Hugh Pickering (Hyde-White) that he can transform a Cockney flower-selling, street urchin Eliza Doolittle (Hepburn) - a 'guttersnipe' - into a proper lady with prescribed diction/elocution lessons. The irrepressible 'guttersnipe' is scrubbed, dressed, and tutored, in time to attend the Ascot races and a society ball. In the end, he reluctantly falls in love with Eliza. Includes songs "On the Street Where You Live," "Get Me to the Church on Time," and "I Could Have Danced All Night."

Mutiny on the Bounty - 1935

Mutiny on the Bounty, Center from Left, Movita, Clark Gable, Charles Laughton, 1935


Mutiny on the Bounty, Center from Left, Movita, Clark Gable, Charles Laughton, 1935 Giclee Print
12 in. x 9 in.

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The oft-filmed (1962 and 1984), classic adventure tale of the famous, historical 1788 British naval vessel the HMS Bounty and its mutiny on the high seas. Based on Nordhoff and Hall's novel. Partially filmed on location in Tahiti. One of MGM's glossiest and biggest box-office successes. On a journey from Portsmouth, England to Tahiti to procure breadfruit trees, the crew suffers under the merciless chastisements of the tyrannically-cruel and mean Captain William Bligh (Laughton). After an idyllic interlude on the exotic island, where the crew romances native women, the crew on the return voyage rebels under the courageous, noble leadership of First Mate Fletcher Christian (Gable) following the Captain's brutal insistence that the ship's elderly doctor Bacchus (Digges) come topside to witness the flogging of five crew members. The despicable Captain is set adrift in an open lifeboat with no sail, compass or food, for an amazing 4,000 mile voyage to safety. In the final scene, Roger Byam (Tone) is brought to trial.

Murder My Sweet - 1944

Murder, My Sweet, Dick Powell, Claire Trevor, 1944


Murder, My Sweet, Dick Powell, Claire Trevor, 1944 Giclee Print
9 in. x 12 in.

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Original release titled Farewell, My Lovely - the second screen adaptation of Raymond Chandler's second novel of the same name, a 1940 hard-boiled tale that was a superb, complex, shadowy film noir of murder, corruption, blackmail, double-cross and double identity, with witty dialogue and cynical voice-over narration. The film opens in wartime Los Angeles, where tough yet vulnerable, blindfolded/bandaged gumshoe detective Philip Marlowe (played by 30s musical crooner Powell in a dramatic role switch) is grilled under a bright light by police interrogators.

In flashback, he tells a convoluted, bewildering tale. He was hired by recently-released, brutish, urgent ex-con Moose Malloy (Mazurki) to search for his missing ex-girlfriend/lover Velma Valento (Trevor) who sold him out eight years earlier. And then he was also commissioned as a bodyguard to accompany an effeminate gigolo Lindsay Marriott (Walton) (associated with underworld Jules Amthor (Kruger)) during a ransom payoff for stolen jewels. When Marriott is killed and Marlowe is blackjacked unconscious ("a black pool opened up"), he becomes the prime suspect for the murder. Millionaire's daughter Ann Grayle (Anne Shirley) reveals her interest in the case, which brings Marlowe for a visit to the Grayle mansion in Brentwood where he meets Mr. Grayle (Miles Mander) and his much younger wife Helen (Trevor again).

During his investigation, Marlowe is drugged and experiences drug-induced hallucinations and nightmares ("a crazy, coked-up dream") when pursued through a series of identical doors by a man with a giant hypodermic needle (filled with truth serum), after being roughed up by master-crook Jules Amthor (Otto Kruger). Amthor is a blackmailer, involved in setting up rich women as targets for Marriott. The owner of the jewels - mysterious, flirtatious and slinky Helen Grayle, also hires the detective to locate the stolen jade necklace (which she later reveals is not actually stolen). Marlowe navigates through a perilous world, becoming further entangled with and threatened by despicable high- and low-class criminals.

The final showdown occurs at the Grayles' beach house, where Helen is killed by her husband. [The final shoot-out revealed that mysterious, flirtatious, gold-digging double-identity Mrs. Helen Grayle - also known as Velma Valento, had set up numerous individuals over the theft of jade jewelry, and was indeed a murderous femme fatale.] Both Moose and Mr. Grayle also shoot and kill each other. (It is also revealed that Moose had murdered Amthor). A witness to all the killings, Ann Grayle is able to clear temporarily-blinded Marlowe of all charges - and accompanies him home in the back seat of a taxi - where they share a kiss.

Mr. Deeds Goes to Town - 1936

Mr. Deeds Goes to Town, Jean Arthur, Gary Cooper, 1936


Mr. Deeds Goes to Town, Jean Arthur, Gary Cooper, 1936 Giclee Print
12 in. x 9 in.

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Capra's populist romantic screwball comedy based on Opera Hat, a Saturday Evening Post story by Clarence Budington Kelland. Mandrake Falls, Vermont greeting-card poetry-writing, tuba-playing rube Longfellow Deeds (Cooper) inherits $20 million from his wealthy NYC uncle, but eccentrically decides to be philanthropic and give it to Depression-Era needy. A hot-shot news reporter Babe Bennett (Arthur) poses as an out-of-work stenographer to get close to him for a story - calling him "The Cinderella Man." She falls in love, defending him when he is declared insane and goes to trial, and is accused of being 'pixilated.' Eventually, he defends himself and is acquitted by the judge: "...you are not only sane but you're the sanest man that ever walked into this courtroom."

Mildred Pierce - 1945

Mildred Pierce


Mildred Pierce Framed Art Print
16 in. x 22 in.

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One of the best melodramatic, 'women's pictures' and film noir classics of the 1940s - and Joan Crawford's comeback film. Adapted from James M. Cain's novel. Begins with the murder of Monte Beragon (Scott) in a beach house. Suspect Mildred Pierce (Crawford) is interrogated by police for the killing of her second husband. In flashback, housewife Mildred is divorced from her husband Bert (Bennett). The hardworking, dowdy woman obsessively dotes on her two daughters, especially rotten, spoiled elder daughter Veda (Blyth), so she is forced to become a waitress. Through determination and will-power, she opens up a small restaurant, develops it into a successful chain, receives assistance from realtor/rebuffed beau Wally Fay (Carson), and marries socially-prominent playboy Monte Beragon. The petulant, selfishly-ungrateful Veda romances her own step-father behind the restaurateur's long-suffering back. The murder mystery concludes with a resolution to the question - who murdered Monte?

Metropolis - 1927

Metropolis, 1928


Metropolis, 1928 Framed Art Print
20.375 in. x 26.375 in.

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A stylized, visually-compelling, melodramatic silent film set in the 21st century city of Metropolis - Lang's German Expressionistic masterpiece helped develop the science-fiction genre. The luxurious, futuristic city of skyscrapers and bridges is stratified and divided into an upper, elite, privileged class and a subterranean, nameless, oppressed, ant-like worker / slave class. Freder (Frohlich), the young son of a ruling, aristocratic capitalist Master Joh Fredersen (Abel), discovers the miserable life of the proletariat when he notices a beautiful young woman Maria (Helm) with a group of worker children and pursues her into the squalid, labyrinthine underground slums. The wistful, Christ-like young woman urges her comrades to peacefully await their salvation. After discovering their meeting, Freder's father instructs mad scientist Rotwang (Klein-Rogge) to create an evil robotic Maria look-alike that will manipulate the workers, preach rebellion, and cause their elimination. The false Maria goes beserk and incites the workers to revolt, causing a cataclysmic flood. Freder and the real rescued Maria lead the worker children out of danger, and Joh Fredersen is convinced to reconcile with the workers - Capital and Labor united in Love.

July 14, 2010

Mean Streets - 1973

Mean Streets


Mean Streets Framed Art Print
16 in. x 22 in.

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Martin Scorsese's third full-length film with energizing early 60s rock 'n' roll - a low-budget, semi-autobiographical, realistic tale about four struggling, small-time hoods in New York's Little Italy trying to establish themselves. Tony (Proval) owns the neighborhood bar, and Michael (Romanus) makes deals and rips off naive teenagers from Brooklyn. Ambitious punk Charlie Calla (Keitel) befriends violent Johnny Boy (De Niro), who irresponsibly and recklessly incurs gambling debts and becomes dangerously obligated to a loan shark. Charlie's uncle Giovanni (Danova) is the local Mafia boss and grooming his nephew for 'respectable' gang life by having him collect for a protection racket. Unclear and confused about his life's direction and loyalties, Charlie wrestles with his devout Catholic guilt, the temptations of the Mafia, and his feelings for Teresa (Robinson), Johnny Boy's epileptic sister.

The Manchurian Candidate - 1962

The Manchurian Candidate


The Manchurian Candidate Framed Art Print
16 in. x 22 in.

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Based on Richard Condon's novel, and adapted by George Axelrod. A complex, realistic depiction of brainwashing in a frightening, satirical psychological thriller. An American platoon fighting in the Korean War is captured and brainwashed by Communist North Koreans in Manchuria. Upon their return to the US, one of the veterans Major Bennett Marco (Sinatra) is haunted by recurring nightmares about their frightening incarceration. He slowly realizes that fellow hero and Congressional Medal of Honor winner Sgt. Raymond Shaw (Harvey), controlled and manipulated by his spy-agent "Queen of Diamonds" ambitious mother (Lansbury) (the wife of right-wing, McCarthyite demagogue Senator John Iselin (Gregory)), is behind the sinister plot to assassinate political enemies. The mind-controlled operative Shaw murders his own wife Jocie (Parrish) and his father-in-law, liberal Senator Thomas Jordon (McGiver). In the tense climax, Marco uncovers the programmed killer's fiendish plans to assassinate the presidential nominee.

The Lost Weekend - 1944

The Lost Weekend


The Lost Weekend Masterprint
12 in. x 16 in.

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Based on Charles Jackson's 1944 novel by co-screenwriters Charles Brackett and Billy Wilder and filmed in NYC. A classic, melodramatic, realistically-grim and uncompromising "social-problem" film of the 1940s, about the controversial subject of alcoholism, told partially in flashback. Rather than join his brother Wick (Terry) on a weekend outing to the country, talented New York aspiring novel writer Don Birnam (Milland) - a chronic alcoholic with writer's block - spends a 'lost weekend' on a wild, self-destructive drinking binge. Eluding his persistently supportive girlfriend Helen St. James (Wyman), he desperately trudges down Third Avenue on Yom Kippur attempting to find an open pawnshop to hock his own typewriter for another drink. In Bellevue Hospital's alcohol detoxification ward, he awakens to shrieking inmates suffering the DT's, and in his apartment experiences hallucinations of a mouse attacked by a bat. He narrowly avoids committing suicide in the 'optimistic' ending.

Laura - 1944

Laura


Laura Masterprint
11 in. x 17 in.

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Based on the novel by Vera Caspary. A great murder-mystery film noir, about the supposed murder of the beautiful title heroine, ad executive femme fatale Laura Hunt (Tierney), with a shotgun blast to the face. The film opens with voice-over narration by acidic, cynical newspaper columnist Waldo Lydecker (Webb), Laura's patron/mentor: "I shall never forget the weekend Laura died..." In the course of his investigation, police detective/necrophiliac Mark McPherson (Andrews) obsessively falls in love with the dead woman - through her painted portrait. Suspects in the murder include ne'er-do-well Kentuckian playboy Shelby Carpenter (Price), Lydecker, Laura's middle-aged aunt Anne Treadwell (Anderson) - and Laura herself!