September 24, 2010

Kings Row - 1942

King's Row, Ann Sheridan, Robert Cummings, Betty Field, Ronald Reagan on Midget Window Card, 1942


King's Row, Ann Sheridan, Robert Cummings, Betty Field, Ronald Reagan on Midget Window Card, 1942 Giclee Print
9 in. x 12 in.

Buy at AllPosters.com
Framed   Mounted


Starring: Ann Sheridan, Robert Cummings, Ronald Reagan, Betty Field, Claude Rains, Nancy Coleman, Charles Coburn
Director: Sam Wood

A thought-provoking, emotional, melodramatic, 'Peyton Place'-like film with a turn-of-the-century, small-town setting that reveals evil, sadism, cruelty, and depravity. Directed by Sam Wood and with James Wong Howe's cinematography and Erich Wolfgang Korngold's magnificently rich score, the tragic Warner Bros. film presents a compelling, penetrating and difficult story with eloquence and power. Wood had previously directed two Marx Brothers films, Goodbye, Mr. Chips (1939), Our Town (1940), Kitty Foyle (1940), Raffles (1940), and The Devil and Miss Jones (1941). Its screenplay by Casey Robinson was based upon Henry Bellamann's widely-read, scandalous 1940 novel of small-town life at the turn of the century. The film's tagline commented on the nature of the town: "The town they talk of in whispers."

The film's main characters were originally five childhood friends, including an idealistic young doctor Parris Mitchell (Cummings), a pretty tomboyish working class girl Randy Monaghan (Sheridan), the neurotic sheltered daughter Cassie (Field) of the town's Dr. Alexander Tower (Rains), the daughter Louise Gordon (Coleman) of a sadistic, morally-righteous doctor (Coburn), and playboy Drake McHugh (Reagan in his best film role), with the unforgettable scene of his realization that his legs have been amputated and his exclamation: "Where's the rest of me?" -- this would become the title of 40th President Reagan's 1965 autobiography.

The Hays Code of 1934 required that much of the questionable, unfilmable content of the novel be modified - eliminating or seriously muting subjects such as illicit premarital sex, homosexuality, a sadistic and vengeful surgeon, and father-daughter incest leading to a murder-suicide. The wartime film's nominations all lost to William Wyler's Mrs. Miniver (1942).

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