Planet of the Apes - 1968

Planet of the Apes, 1968
12 in. x 9 in.

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A thought-provoking and engrossing science-fiction film classic - a loose adaptation (by formerly blacklisted Michael Wilson and Rod Serling) of the Pierre Boulle novel La Planète Des Singes (Monkey Planet), about four NASA astronauts, including Colonel 'George' Taylor (Heston), who have traveled for centuries in cyrogenic suspension. After a crash landing on an Earth-like planet, they find themselves stranded in a strange and remote place dominated by English-speaking simians who live in a multi-layered civilization. The apes dominate society, and humans (who possess few rights) have been reduced to subservient mute slaves and are even hunted as animals. In danger of being castrated or lobotomized, Taylor cries out the memorable: "Get your stinking paws off me, you damn dirty ape!" The apes in this exciting and engaging action thriller include archaeologist Dr. Cornelius (McDowall), his scientist fiancee Zira (Hunter) - an 'animal psychologist,' and malevolent, arrogant, government orangutan leader Dr. Zaius (Evans). This Vietnam War, Cold War and Civil Rights era film makes many subtle points about race, animal rights, the establishment, class, xenophobia and discrimination.

The film is most noted for its twist ending when George rides down a beach on horseback in the Forbidden Zone with beautiful mute cavewoman Nova (Harrison), and suddenly he stops when he sees something, and dismounts to stare upwards; as the camera pans forward toward Taylor, through a spiked object, he exclaims: "Oh, my God! I'm back, I'm home. All the time, it was..." He drops to his knees: "We finally really did it." He pounds his fist into the sand and rails against Earth's generations almost 2,000 years earlier that had destroyed his home planet's civilization with a devastating nuclear war: "You maniacs! You blew it up! Ah, damn you! Goddamn you all to hell!" The full object comes into view as the camera pans backward - the spiked crown of a battered Statue of Liberty buried waist-deep in beach sand. This film was also a pioneer in modern movie marketing, spawning not only four sequels and a 2001 remake (and two television series spinoffs), but also action figures and other similar merchandising, foreshadowing later merchandising for Star Wars (1977) and the Indiana Jones series.

Patton - 1970

Patton, 1970 Giclee Print
12 in. x 9 in.

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The epic film biography, shot in 70 mm. widescreen color, of the controversial, bombastic, multi-dimensional World War II general and hero George S. Patton. The larger-than-life, flamboyant, maverick, pugnacious military figure, nicknamed "Old Blood and Guts," was well-known for his fierce love of America, his temperamental battlefield commanding, his arrogant power-lust ("I love it. God help me, I do love it so. I love it more than my life"), his poetry writing, his belief in reincarnation, his verbal abuse and slapping of a battle-fatigued soldier, his anti-diplomatic criticism of the Soviet Union, and his firing of pistols at strafing fighter planes. The bigger-than-life screen biography is most noted for its brilliant opening monologue by Patton (Scott), delivered before a gigantic American flag to the off-screen troops of the Allied Third Army ("No bastard ever won a war by dying for his country. You won it by making the other poor dumb bastard die for his country").

The story was based on two books: Patton: Ordeal and Triumph by Ladislas Farago and A Soldier's Story by General Omar Bradley (portrayed by Malden). As a result of Francis Ford Coppola's breakthrough win for Best Adapted Screenplay as co-screen writer, he went on to write and direct The Godfather (1972). Although Scott portrayed the famous general perfectly and it became his archetypal film, the role was also considered by Burt Lancaster, Rod Steiger, Lee Marvin, Robert Mitchum and John Wayne. The subject matter was remade as a TV-movie entitled The Last Days of Patton (1986), also with Scott in the lead role.