Bus Stop - 1956

Bus Stop Poster
26 in. x 38 in.

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Aka The Wrong Kind of Girl, this comedy/drama, adapted by George Axelrod (who also co-wrote The Seven Year Itch (1955) also starring Monroe) and based on the hit Broadway play by William Inge, was Marilyn Monroe's first "serious" lead role. She plays Cherie, a fifth-rate, hillbilly saloon-bar singer in Phoenix, originally from the Ozarks, whose dream is to go to Hollywood. Her path crosses that of a naive, callow and rude cowboy from Montana in town for a rodeo, Beauregard 'Bo' Decker (Murray in his film debut), who immediately is smitten by his sweet 'angel.' The most memorable moment of Bus Stop is Monroe's famous torch-song performance of "That Old Black Magic" for an unappreciative audience, mixing sensuousness with a wistfully sad, soulful quality. The country bumpkin persistently tries to woo Cherie (whom he crudely calls Cherry) - and forcefully kidnaps her to take her home with him. They become stranded during a blizzard at a roadside bus stop - the Blue Dragon Inn in Idaho, where she eventually falls for her abductor. Widely considered the best role of Monroe's career, it mixed comedy with dark pathos. The film proved Monroe was a more-than-capable actress reflecting her skillful acting talent and some of her own personal insecurities. It earned her better roles opposite such stars as Jack Lemmon, Tony Curtis, Clark Gable, and Laurence Olivier. The film later inspired a 1961-62 TV series of the same name.

Easy Rider - 1969

Easy Rider Poster
27 in. x 40 in.
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Easy Rider (1969) is the late 1960s "road film" tale of a search for freedom (or the illusion of freedom) in a conformist and corrupt America, in the midst of paranoia, bigotry and violence. Released in the year of the Woodstock concert, and made in a year of two tragic assassinations (Robert Kennedy and Martin Luther King), the Vietnam War buildup and Nixon's election, the tone of this 'alternative' film is remarkably downbeat and bleak, reflecting the collapse of the idealistic 60s. Easy Rider, one of the first films of its kind, was a ritualistic experience and viewed (often repeatedly) by youthful audiences in the late 1960s as a reflection of their realistic hopes of liberation and fears of the Establishment.

The iconographic, 'buddy' film, actually minimal in terms of its artistic merit and plot, is both memorialized as an image of the popular and historical culture of the time and a story of a contemporary but apocalyptic journey by two self-righteous, drug-fueled, anti-hero (or outlaw) bikers eastward through the American Southwest. Their trip to Mardi Gras in New Orleans takes them through limitless, untouched landscapes (icons such as Monument Valley), various towns, a hippie commune, and a graveyard (with hookers), but also through areas where local residents are increasingly narrow-minded and hateful of their long-haired freedom and use of drugs. The film's title refers to their rootlessness and ride to make "easy" money; it is also slang for a pimp who makes his livelihood off the earnings of a prostitute. However, the film's original title was The Loners.