Showing posts with label john huston. Show all posts
Showing posts with label john huston. Show all posts

July 11, 2010

The Asphalt Jungle - 1950

The Asphalt Jungle


The Asphalt Jungle Poster
26.75 in. x 38.625 in.

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Framed   Mounted


A classic noirish thriller, an adaptation based on a novel by W. R. Burnett, about a mastermind, aging, ex-convict criminal Doc (Jaffe), who comes out of retirement (prison) for one last jewel robbery with an assemblage of underworld characters - Kentucky horse-farm loving Dix Handley (Hayden) with tough-girlfriend Doll (Hagen), and sleazy lawyer partner Alonzo Emmerich (Calhern) who plans to fence the jewels to support his expensive habits (e.g., an affair with seductive mistress Monroe - in a cameo role). The heist unravels quickly and everything falls apart when an alarm accidentally sounds and the safecracker is mortally wounded by a stray bullet. While Emmerich commits suicide, and others are either jailed or wounded, Doc's creepy voyeurism for a young girl dooms him during his escape. Dix reaches his childhood Kentucky farm but expires in a field surrounded by horses. Academy Award Nominations: 4, including Best Supporting Actor--Sam Jaffe, Best Director, Best Screenplay, Best B/W Cinematography.

June 14, 2010

Chinatown - 1974

Chinatown, Faye Dunaway, Jack Nicholson, 1974


Chinatown, Faye Dunaway, Jack Nicholson, 1974 Giclee Print
9 in. x 12 in.
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Mounted



Chinatown (1974) is a superb mystery thriller detective private and modern film noir. His original screenplay by Robert Towne is winning a survival which honors the best of Hollywood film noir from the pen of Dashiell Hammett and Raymond Chandler in the '30s and '40s. The film has refused to provide a slogan, instead of choosing images with words on his poster, which featured in the Art Deco of the 40s, the detective - his back facing the viewer, to smoke a cigarette, the smoke from to form the face of heroin, meaning creation, mood, and symbolism of the film without uttering a single sentence.

The film is a blend of mystery, romance, suspense and hard boiled detective / film noir genre elements - especially embodied in The Maltese Falcon (1941) (by director John Huston acting in this film) and The Big Sleep (1946 ). This revisionist film noir was the first production from the legendary Paramount Studios head (and former actor), Robert Evans, a flamboyant Hollywood figure who later in 1994 published an autobiography, juicy, stays for children in the photo that been made in a documentary film in 2002.

The film marks the return of French Polish director Roman Polanski in Hollywood five years after the gruesome murders Manson 1969 that claimed the life of his wife, actress Sharon Tate. Polanski chose to use a dark end rather than the final with more hope in the original script, probably because of the tragedies of his life. Only a few years later, in 1978 he would be charged and convicted of statutory rape in 1977 (and drugged) of a young girl of 13 years (later identified as Samantha Geimer), while for star / actor Jack Nicholson (absent at the time), and had to flee to Europe as a fugitive. This was the last film Polanski made on site in the United States.

Screenwriter Robert Towne was founded in part on a real scandal Los Angeles in the early 20th century (the story of the infamous 1908 Owens Valley "rape" scandal and Land San Fernando Valley-grab by speculators). The character of the film, Hollis Mulwray was loosely from the Los Angeles real life water engineer William Mulholland (Director General of the Los Angeles Water Works and Supply), which has orchestrated the purchase of water rights and water piping in the Sierra Nevada in Los Angeles by an aqueduct which crosses the north-precious now San Fernando Valley of Los Angeles. The character's name was an anagram Hollis Mulwray clever for "Mulholland". The bad character of Noah Cross was a reference to the Bible, Noah.

June 12, 2010

The African Queen - 1951

African Queen, Humphrey Bogart, Katharine Hepburn, 1951


African Queen, Humphrey Bogart, Katharine Hepburn, 1951 Giclee Print
9 in. x 12 in.
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Mounted

The African Queen (1951) is the uncomplicated tale of two companions with mismatched, "opposites attract" personalities who develop an implausible love affair as they travel together downriver in Africa around the start of World War I. This quixotic film by director John Huston, based on the 1935 novel of the same name by C. S. Forester, is one of the classics of Hollywood adventure filmmaking, with comedy and romance besides. It was the first color film for the two leads and for director Huston.

The acting of the two principal actors - Humphrey Bogart and Katharine Hepburn - is some of the strongest ever registered on film, although this was their first and only pairing together. They portray an unshaven, drinking and smoking captain of a cranky tramp steamer, and a prissy and proper, but imperious and unorthodox WWI-era African missionary spinster. [This was 44 year-old Hepburn's first screen appearance as a spinster, and marked her transition to more mature roles for the rest of her career. At 52 years of age, Bogart was also past his prime as a handsome, hard-boiled detective.] John Mills, David Niven, and Bette Davis were, at one time, considered for the lead roles.

Directed on location (on the Ruiki in the then Belgian Congo and the British protectorate of Uganda) by John Huston (it was his ninth feature film and fifth film with Bogart), the film was nominated for four Academy Awards - Best Actress (Katharine Hepburn), Best Screenplay (James Agee and John Huston), Best Director, and Best Actor (Humphrey Bogart). Bogart was the only one to win - the film's sole Oscar. In hindsight, Bogart's award (his sole career Oscar) was probably consolation for the oversight he experienced three years earlier when he wasn't even nominated for one of his best roles as Fred C. Dobbs in Huston's The Treasure of the Sierra Madre (1948).