Showing posts with label premium photographic print. Show all posts
Showing posts with label premium photographic print. Show all posts

July 27, 2010

Queen Christina - 1933

Actress, Greta Garbo, in the Movie "Queen Christina"


Actress, Greta Garbo, in the Movie "Queen Christina" Premium Photographic Print
Grant, Allan
24 in. x 18 in.

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A screen biography of the legendary 17th century Queen of Sweden Christina (Garbo), from the directorial master Mamoulian. After rejecting an arranged marriage for political advantage, the Queen fatefully meets newly-appointed Spanish ambassador Don Antonio De la Prada (Gilbert) during a horseback ride. To be incognito, she disguises herself as a man and visits with him in a snowbound country inn. During a night in his shared room in a gorgeously photographed sequence, she reveals her disguise and the two become passionate, clandestine lovers. Later, she officially receives him in her court, and in a shocking move, she relinquishes and abdicates herself from the throne for her love. Concludes with the famous closeup of Garbo's face at the bow of the boat as she faces her destiny.

July 7, 2010

West Side Story - 1961

Knife Fight Scene from West Side Story


Knife Fight Scene from West Side Story Premium Photographic Print
Mili, Gjon
24 in. x 18 in.

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West Side Story (1961) is an energetic, widely-acclaimed, melodramatic musical - a modern-day, loose re-telling of Shakespeare's Romeo and Juliet tragedy of feuding families, although the setting is the Upper West Side of New York City in the late 1950s with conflict between rival street gangs rather than families. West Side Story is still one of the best film adaptations of a musical ever created, and the finest musical film of the 60s. It arrived at a time when the silver screen was realizing tremendous competition from TV and other genres of cinematic entertainment.

Like many other musicals of its time, Hollywood again looked to a successful Broadway stage play (first starring Carol Lawrence and Larry Kert) for its source material (e.g., in earlier years, South Pacific (1958), Oklahoma! (1955), and Carousel (1956) were chosen, among others) and it was no different for this film. An almost completely new cast was assembled, except for actor George Chakiris (who played Riff, NOT Bernardo, in the London production). After her success in Spendor in the Grass (1961), Natalie Wood was chosen for the lead female role after Barbara Luna was considered. And Richard Beymer, known for his performance as Peter Van Daan in George Stevens' The Diary of Anne Frank (1959), took the lead male role which was also considered for Marlon Brando and Elvis Presley. Chita Rivera, the Broadway actress who played the part of the tempestuous Anita, was replaced by Rita Moreno, known for her role as Tuptim in The King and I (1956). Supporting actor Russ Tamblyn, known for many roles in films such as Seven Brides for Seven Brothers (1954) and Peyton Place (1957), played the role of Riff.

West Side Story


West Side Story Poster
Bass, Saul
24 in. x 36 in.

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The Third Man - 1949

Carol Reed Coaching Orson Welles as They Stand Against Floodlights During Filming "The Third Man."


Carol Reed Coaching Orson Welles as They Stand Against Floodlights During Filming "The Third Man." Premium Photographic Print
Sumits, William
18 in. x 24 in.

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The Third Man (1949) is a visually-stylish thriller - a paranoid story of social, economic, and moral corruption in a depressed, rotting and crumbling, 20th century Vienna following World War II. The striking film-noirish, shadowy thriller was filmed expressionistically within the decadent, shattered and poisoned city that has been sector-divided along geo-political lines.

The black and white, pessimistic film is one of the greatest British thrillers of the post-war era, in the best Alfred Hitchcock tradition, and beautifully produced and directed by Britisher Carol Reed. It was voted the #1 British Film of the 20th Century by the esteemed British Film Institute (BFI). It was co-produced by Hungarian-born Alexander Korda and American movie mogul David O. Selznick. Because Korda gave American distribution rights to Selznick (who cut eleven minutes from the original British version), the credits of the US version include Selznick references.

This was Reed's second collaboration with British screenwriter-author Graham Greene (after The Fallen Idol (1948)). It was based on Greene's novella of the same name, written solely to be a source text for the film screenplay and never intended to be read or published. It was a clever and original mystery tale simply evoked by one sentence written by Greene: "I saw a man walking down the Strand, whose funeral I had only recently attended." It told of a love triangle with nightmarish suspense, treachery, betrayal, guilt and disillusionment. Its two most famous sequences include the Ferris-wheel showdown high atop a deserted fairground with the famous cuckoo clock speech (written by Orson Welles), and the climactic chase through the underground network of sewers beneath the cobblestone streets.