Valley of the Dolls - 1967

Valley of the Dolls, 1967 Giclee Print
9 in. x 12 in.

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Framed   Mounted


They don't make 'em like this anymore. Well, John Waters might, if he ever had a big enough budget. A steamy "inside look" at the alternately sleazy and glamorous world of catfighting, backbiting show-biz starlets, this Hollywood hit from the bestselling novel by Jacqueline Susann is a high-gloss camp artifact--a time capsule (or some kind of capsule, anyway)--from the screwy '60s, when a broad was a broad, a bitch was a bitch (whether "her" name was Neely O'Hara or Ted Casablanca), and a "doll" was a prescription drug.

These dames of whine and poses obsessed over their bust lines, booze, and barbiturates. The once-shocking and scandalous language and behavior of these Broadway babes has been eclipsed by Dallas, Dynasty, and Melrose Place, but time has only enhanced the stature of Valley of the Dolls as a classic--and it still puts Showgirls to shame. With Patty Duke, Susan Hayward, Sharon Tate, Lee Grant, Barbara Parkins, and Martin Milner (and juicy, scene-chewing dialogue such as the infamous: "They drummed you out of Hollywood, so you come crawling back to Broadway. But Broadway doesn't go for booze and dope--now get out of my way, I've got a man waiting for me!"), Valley of the Dolls is the Mount Rushmore of backstage movie melodramas.

Raging Bull - 1980

Robert De Niro in Raging Bull Framed Art Print
Anon
18 in. x 18 in.
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Raging Bull is a 1980 American biographical film directed by Martin Scorsese, adapted by Paul Schrader and Mardik Martin from the Jake La Motta memoir Raging Bull: My Story. It stars Robert De Niro as Jake LaMotta, a middleweight boxer whose sadomasochistic rage, sexual jealousy, and animalistic appetite exceeded the boundaries of the prizefight ring, and destroyed his relationship with his wife and family. Also featured in the film are Joe Pesci as Joey, La Motta's well intentioned brother and manager who tries to help Jake battle his inner demons, and Cathy Moriarty as his abused wife. The film features supporting roles from Nicholas Colasanto, Theresa Saldana, and Frank Vincent.

Scorsese was partially convinced by De Niro to develop the project, though he eventually came to relate to La Motta's story. Schrader re-wrote Martin's first screenplay, and Scorsese and De Niro together made uncredited contributions thereafter. Pesci was an unknown actor prior to the film, as was Moriarty, who was suggested for her role by Pesci. During principal photography, each of the boxing scenes were choreographed for a specific visual style and De Niro gained approximately 70 pounds (32 kg) to portray La Motta in his early post-boxing years. Scorsese was exacting in the process of editing and mixing the film, expecting it to be his last major feature.

After receiving mixed initial reviews (and criticism due to its violent content), it went on to garner a high critical reputation and is now widely regarded among the greatest films ever made. It was listed in the National Film Registry in 1990, its first year of eligibility.