The Bad and the Beautiful - 1952

The Bad and the Beautiful, Lana Turner, 1952 Photographic Print
18 in. x 24 in.

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Framed   Mounted


A scathing melodrama and dark expose of sordid backstage Hollywood, with memorable performances by both Turner and Douglas. An ambitious, cruel, driven, amoral, egotistical producer Jonathan Shields (Douglas), begins as a maker of low-budget westerns and horror films. His manipulative and ruthless victimization of others is seen, in flashback, from the viewpoints of three former associates that he betrayed, double-crossed, and caused emotional pain - a star actress and ex-lover Georgia Lorrison (Turner), award-winning screenwriter James Lee Bartlow (Powell) and his faithless, southern belle wife Rosemary (Grahame), and director Fred Amiel (Sullivan). Now that they have furthered their careers, they tell their stories to film studio executive Harry Pebbel (Pidgeon), who has been asked to convince the individuals to join the despised Shields on his next project - they all disown him and hope that he will fail. In the final scene, the three listen - with a phone to their ear - when the exiled Shields calls from Europe.

Out of the Past - 1947

Out of the Past Framed Art Print
16 in. x 22 in.
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Out of the Past (1947) is one of the greatest, multi-layered film noirs of all time. The downbeat screenplay was based on Geoffrey Homes' (a pseudonym - his real name was Daniel Mainwaring) 1946 novel Build My Gallows High, a book that consciously imitated Dashiell Hammett's The Maltese Falcon (1941).

Director Jacques Tourneur, who collaborated with legendary producer Val Lewton, was well-known for his subtle horror films, including Cat People (1942) and I Walked With A Zombie (1943). (And this film marked the third and final time that Tourneur worked with cinematographer Nicholas Musuraca.) His masterful ability to create a doom-laden, dark, shadowy mood of terror, assisted by black and white cinematographer Nicholas Musuraca, is perfectly blended into this tragic film noir classic. Unfortunately, the film was ignored and lacked even a single nomination by the Academy of Motion Picture Arts and Sciences.

The quintessential classic film noir masterpiece from RKO, a definitive flashback film of melodramatic doom, contains all the elements of the genre. First and foremost, there is an irresistible but deadly, chameleon-like femme fatale (Greer) who is the object of romantic fascination for both a detective Mitchum) and a gangster (Douglas). Themes of betrayal, passion, and a cynical, perverse, and a morally ambiguous atmosphere are all interwoven and entangled together in a confusing and convoluted dark plot (mixing narrative flashback with linear narrative) with both double- and triple-crosses. Eventually, all three individuals meet their inescapable, tragic ends typical of a Shakespearean-level tragedy.

The three major figures in the film are iconic symbols, perfectly and vividly portrayed: the sleepy-eyed, ill-fated, joyless and laconic investigator Jeff (Robert Mitchum in one of his defining roles), lethal and slick racketeer/gangster czar Whit (Kirk Douglas in his fourth film), and the self-indulgent, lethal, and erotic enchantress Kathie (Jane Greer) - she ultimately has the upper hand over both male leads. Director Taylor Hackford's remake, titled Against All Odds (1984), starring Jeff Bridges, James Woods and Rachel Ward (and with Jane Greer in a cameo role as the mother of her original character), was an inferior work.