Showing posts with label lana turner. Show all posts
Showing posts with label lana turner. Show all posts

July 27, 2010

The Postman Always Rings Twice - 1946

Lana Turner, 1952


Lana Turner, 1952 Photographic Print
18 in. x 24 in.

Buy at AllPosters.com
Framed   Mounted


An adaptation of James M. Cain's torrid crime melodrama - one of the best film noirs. Handsome drifter Frank Chambers (Garfield) is hired at the California roadside Twin Oaks diner/restaurant as a handyman by kindly, middle-aged proprietor Nick Smith (Kellaway) after one look at his sizzling, lustfully hot (and unhappy), platinum-blonde waitress wife Cora (Turner). The slow-burning fuse of sexual passion between Frank and Cora leads to their plot to 'accidentally' kill her husband. After the murderous couple's plot is executed following a failed first attempt, they betray each other and are undone by their own uncontrollable, calculating natures, even as Cora admits before her death in an automobile crash: "When we get home, Frank, then there'll be kisses, kisses with dreams in them. Kisses that come from life, not death."

July 11, 2010

The Bad and the Beautiful - 1952

The Bad and the Beautiful, Lana Turner, 1952


The Bad and the Beautiful, Lana Turner, 1952 Photographic Print
18 in. x 24 in.

Buy at AllPosters.com
Framed   Mounted


A scathing melodrama and dark expose of sordid backstage Hollywood, with memorable performances by both Turner and Douglas. An ambitious, cruel, driven, amoral, egotistical producer Jonathan Shields (Douglas), begins as a maker of low-budget westerns and horror films. His manipulative and ruthless victimization of others is seen, in flashback, from the viewpoints of three former associates that he betrayed, double-crossed, and caused emotional pain - a star actress and ex-lover Georgia Lorrison (Turner), award-winning screenwriter James Lee Bartlow (Powell) and his faithless, southern belle wife Rosemary (Grahame), and director Fred Amiel (Sullivan). Now that they have furthered their careers, they tell their stories to film studio executive Harry Pebbel (Pidgeon), who has been asked to convince the individuals to join the despised Shields on his next project - they all disown him and hope that he will fail. In the final scene, the three listen - with a phone to their ear - when the exiled Shields calls from Europe.